In “One by Willie,” host John Spong talks in each episode to one notable Willie fan about one Willie song they love, then runs down the kinds of rabbit holes that open up whenever the topic is Willie Nelson. But the series is about more than the songs; it's about the way music shapes our lives and connects us all.
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Bonnie Raitt on "Getting Over You"
In a special icon-on-icon birthday tribute, the thirteen-time Grammy winner talks about duetting on one of the most important records of Willie’s career, plus covering “Night Life” with blues legend B. B. King.
Conor Oberst on "Undo the Right"
The indie rock, pop, and folk icon on the craft of songwriting, four-track home recordings, and the counterintuitive wisdom of “Undo the Right.”
Mark Seliger on "Stardust"
The revered photographer talks Trigger, Fourth of July Picnics, and “Stardust.”
Larry Gatlin on "She's Not for You"
The pride of Odessa recalls the New York recording sessions that produced ‘Shotgun Willie,’ ‘The Troublemaker,’ and “She’s Not for You.”
Adrian Quesada on "I Never Cared for You"
The Black Pumas guitarist, producer, and songwriter examines the Latin and Tex-Mex elements in Willie’s music, how they got there—and why that makes Willie “the most American thing we have.”
Amanda Petrusich on "Reasons to Quit"
The acclaimed music critic reframes the duo’s classic 1983 LP, ‘Pancho & Lefty,’ as a concept album about easing into middle age.
Charlie Sexton on "I Let My Mind Wander"
The Austin producer, bandleader, and guitar hero discusses the reasons he loves the early sixties demo for “I Let My Mind Wander”—and how much his old boss, Bob Dylan, loves Willie.
John Mellencamp on "Funny How Time Slips Away"
The heartland rocker on the origins of Farm Aid, standing up to record execs, and “Funny How Time Slips Away.”
Paul Begala on "Heartland"
The CNN political analyst discusses the two legends’ duet “Heartland,” the farm crisis that inspired it, and a kind turn Willie did for his mom.
Nick Offerman on "Buddy"
The ‘Parks and Recreation’ star on “Buddy,” Farm Aid, and how a hippie like Willie became Ron Swanson’s favorite poet.
Billy Strings on "Stay a Little Longer"
Billy Strings, of the hottest guitarists alive describes the hole in Trigger, bringing roses to Willie, and a 90-mph live version of “Stay a Little Longer.”
Miranda Lambert on “Mammas Don’t Let Your Babies Grow Up to be Cowboys”
The reigning country queen talks about singing “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” as a little girl on her family’s front porch—and at Willie’s all-star ninetieth-birthday show.
Lucinda Williams on “Angel Flying Too Close to the Ground”
The beloved singer-songwriter, once a scrappy unknown living in a run-down apartment Willie owned, describes the wonder of later duetting with him on a song she wrote.
Lana Nelson on “Red Headed Stranger”
The unofficial family historian talks about listening to her dad sing “Red Headed Stranger” back before he’d ever even made it to Nashville.
Wade Bowen on “Me and Paul”
The Texas Country/Red Dirt star Zooms in to discuss Willie’s founding role in the singer-songwriters’ circuit, plus the gift of growing to love your dad’s music.
John Leventhal on “Blue Eyes Crying in the Rain”
The six-time Grammy-winner discusses “Blue Eyes Crying in the Rain” and why Willie’s guitar-picking makes him think of Picasso.
Susan Tedeschi on “Somebody Pick Up My Pieces”
The Grammy-winning blues singer and guitarist on why she and her husband cover Willie almost every night with their Tedeschi Trucks Band—plus why she thinks Emmylou Harris is a Jedi.
Bruce Robison on “Walkin”
The Americana stalwart discusses Phases and Stages, Willie’s lost winter in Bandera, and covering his songs with big stars like Margo Price, Sheryl Crow, and Nathaniel Rateliff.
Lawrence Wright on “Roll Me Up and Smoke Me When I Die”
The acclaimed Austin author talks pigtails, hero statues, and “Roll Me Up and Smoke Me When I Die.”
Booker T. Jones on “Georgia on My Mind”
The Rock and Roll Hall of Famer discusses “Georgia on My Mind”—and the highly improbable pairing and production that gave birth to Willie’s quintuple-platinum masterpiece.